German classic metal hybrid PULVER has recently completed work on their first full-length album, “Kings Under The Sand”. Due in early 2019 via Gates Of Hell Records, the album was recorded at Berlin’s Big Snuff Studio with Richard Behrens serving as producer.
Guitarist Lukas Kunkel describes “Kings Under The Sand” as “more defined” than their debut self-titled 7-inch, which was released earlier this year. According to Kunkel, major influences come from traditional heavy metal, especially NWOBHM and hard rock. Under the direction of Behrens, “Kings Under The Sand” was recorded in analog, ensuring a crisp, classic metal sound. “The songwriting process was very similar to what it was like for the EP, but more targeted,” notes Kunkel. “Everybody was involved, throwing ideas around and working on the details until we were all happy with the songs. In doing so, we still always tried to keep an eye on the album in its entirety. Eventually, we fine-tuned a few things during the recording sessions at the studio.”
The album’s artwork is created by Max Löffler and will be a continuation of the “Phantom Hawk” creature that originally appeared on the band’s 7-inch. “The whole concept for the album revolves around the idea that ancient Egypt was enslaved by an alien warrior tribe known to man as the ‘Phantom Hawk,’” says vocalist David Fröhlich. “The creature on the cover of our 7-inch was a scout for an alien race, who came to earth to check if mankind would stand any chance to defend itself against the invasion. The scenes on the album cover will take place seven years later in an enslaved Egypt. While the aliens have invaded the planet, humans are preparing a counterstrike at their shelter underneath the sand. The songs on the album will tell the story around it while musically reflecting the particular theme.”
PULVER’s debut self-titled 7-inch was recorded by Heiner Kunkel at Dreiklang Audio in the band’s hometown of Aschaffenburg.
The perfect setup for their first full-length album (due in 2019), “Lyrids” features a pair of leftover songs from the band’s 2016 “Where The Time Dwelt In” EP: “Empire Of The Crimson Fields” and “Iron Cave”. Both songs find VULTURES VENGEANCE (who feature guitarist/vocalist Tony T. Steele, new lead guitarist Tony L.A., bassist Matt Savage and drummer Kosathral Khel) digging deep into their NWOBHM roots as well as power metal and thrash, aided by a warm, but raw production job.
Inspired by the “cave myth” from the ancient Greek philosopher Plato, “Into The Cave” takes on fantasy-based heavy metal in the style of OMEN, STEEL ASSASSIN and LIEGE LORD. “Empire Of The Crimson Fields”, on the other hand, features a two-part narrative that tells the story of a noble family awaiting of the birth of the new king. The family eventually conquers an empire, but starts savaging the natives, which is where the story shifts to a commoner who has watched his son killed and his land destroyed. The pain and prayers from this man are eventually heard, placing a curse upon the kingdom. Their points of view converge at the song’s conclusion where both fall into the face of death, neither receiving clarity.
Since their 2015 formation, VULTURES VENGEANCE has become a favorite among European critics and fans, with influential German metal magazine Deaf Forever giving the band’s debut “Rising” demo a glowing review. From there, “Where The Time Dwelt In” only served to further their reputation as a new classic metal band to watch. It is with little doubt “Lyrids: Warning From The Reign Of The Untold” will hold the VULTURES VENGEANCE fanbase over until their first full LP finally arrives next year.
“Lyrids: Warning From The Reign Of The Untold” track listing:
As Italian epic metallers VULTURES VENGEANCE prepare to record their first full-length this summer, the band will further whet their fans’ appetite by releasing the “Lyrids: Warning From The Reign Of Untold” 7-inch in September via Gates Of Hell Records, a sub-label of Cruz Del Sur Music.
Featuring two leftover songs from their 2016 “Where The Time Dwelt In” EP (“Empire Of The Crimson Fields” and “Into The Cave”), the 7-inch will also include the talents of new lead guitarist Tony L.A. Scelzi, who joined VULTURES VENGEANCE last year.
“We have always played both of these songs at our live shows, so fans of the band should have no problem recognizing them,” says guitarist/vocalist Tony T. Steele. “The two songs maintain the same spirit and atmosphere of the ‘Where The Time Dwelt In’ EP, so in some ways, it could be interpreted as a sequel, just with different production. And, we are excited to feature Tony’s lead guitar playing on an actual release. Sadly, this will mark the last release with drummer Kosathral Khel, but it’s a fitting way for us to bid farewell to him.”
Steele says the VULTURES VENGEANCE lineup is “stronger than ever,” which should come in handy as they get to work on a new album and begin integrating a new drummer into the band.
“We are always really glad to play live, but the most important thing is that all the people who make it possible are those who sincerely love what we do and heavy metal in general,” says Steele. “We will always be thankful to these people, for they keep this music alive not because it’s a trend, but because they’re passionate about it. Our main goal for the future and upcoming shows is to keep this unchanged and encourage everyone to read the messages that are within our music. Ultimately, our fans should expect that the stage for VULTURES VENGEANCE will always be like a book where we will write the accurate description of who we are and not of whom we would like to be.”
The “Where The Time Dwelt In” EP was released in October 2016 via Gates Of Hell Records.
Gothenburg, Sweden thrashers BLACK CYCLONE have inked a deal with Gates Of Hell Records for the physical release of their first full-length album, “Death Is King”. The album was released by the band in digital format in early 2018.
Originally formed in 2009, BLACK CYCLONE’s sound initially channeled black metal on their “Chaos Brigade” (2012) and “Under Your Hoof” (2013) demos, eventually morphing into all-out, vintage thrash, which is displayed across “Death Is King”, an album stocked with surges of speed, NWOBHM-styled guitar solos, twisting power metal and the animated, sky-scraping vocals of Linus Johansson, who also handles vocal duties in TRIAL.
“After we settled on thrash metal, it all felt right and we were ready to record BLACK CYCLONE’s first album,” comments bass guitarist Per Andreasson. “The changes in style were just a result of what we wanted to play in different periods of time.”
The songs on “Death Is King” are the result of many years of work, songs that were accordingly, re-written to suit BLACK CYCLONE’s ever-evolving sound. “Now that we have found our style, it’s time to begin this journey,” says Andreasson. “We just thought that ‘Death Is King’ had a nice ring to it and it’s easy to remember. The name comes from the opening track of the album, ‘Death Is Crowned As King’, which we thought would be a too long name for the album title. The lyrical themes differ from song to song, everything from Cthulhu and anti-religion to anarchy and anti-establishment.”
“Death Is King” will be released on April 27, in COMPACT DISC and VINYL edition.
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