All posts by Satana

CONVENT GUILT To Release ‘Diamond Cut Diamond’ In November

“Diamond Cut Diamond”, the second full-length album from Australian true metal quartet CONVENT GUILT, is set for a November 9 release via Gates Of Hell Records.

The follow-up to 2014’s “Guns For Hire” was recorded at various locations around Sydney in the first half of 2018 by Lachie Vercoe, who was also responsible for the album’s mix. “Diamond Cut Diamond” was mastered by Patrick Engel at Temple Of Disharmony. The album’s striking cover art featuring a strong colonial Australian image was created by Lena Richter of Diamonds and Rust Tattoos.

Possessing the same classic metal swagger as found on “Guns For Hire”, “Diamond Cut Diamond” contains seven slabs of song-oriented metal, graced with well-placed tinges of melody and NWOBHM influences. CONVENT GUILT (who feature bassist/vocalist/primary songwriter Ian, the guitar tandem of Andrew and Dario, and drummer Brent) have once again placed focus on emotion and energy over soulless musical precision, resulting in a must-listen for fans of early IRON MAIDEN, SAXON and TRESPASS.

According to Ian, the songwriting process for “Diamond Cut Diamond” was an organic one, although the band was sure to take their time when writing their all-important sophomore album. “Songwriting happens when it wants to rather than when I sit down to focus on it,” he says. “The oldest tracks on ‘Diamond Cut Diamond’ were written before ‘Guns For Hire’ was released. Even the newest tracks have been around a while. We rehearsed the tracks quite a bit and recorded rough demos to fine-tune our approach. With a bit of luck, this has added extra layers to the songs without compromising the band’s raw energy.”

Employing lyrical themes that, according to Ian, touch upon Australia’s “rich and dusty history,” “Diamond Cut Diamond” proves to carry plenty of philosophical weight as well. “Some of our lyrics deal with conquerors and the subjugated, the inbuilt weakness of men, depression-era outlaws and the insanity of social media. It’s a mixed bag thematically, but as always, lyrics are a vital part of what this band is about.”

It’s been four years since the release of the last CONVENT GUILT LP, so, as you could imagine, the band is chomping at the bit to unleash the album upon the waiting ears of the metal scene. As “Diamond Cut Diamond” shows, the wait was well worth it. “I’m sure it’s the same for most bands, but getting an album out seems like such a massive weight off our shoulders – it’s a ‘release’ in more ways than one,” says Ian. “We won’t rest on our laurels, but we’ll enjoy the relief and achievement as well. A couple of us have other projects we’re working on, so we’re giving those a bit more attention. And we’re riding the usual waves of life to wherever it takes us.”

“Diamond Cut Diamond” track listing:

1. Howling Vengeance
2. Born To Trouble
3. Powder Dry
4. Scream Out Your Heart
5. Bonnie And Clyde
6. Thief In The Night
7. Foxes Run

VULTURES VENGEANCE: ‘Lyrids: Warning From The Reign Of The Untold” To Be Released September 14

Italian epic metal band VULTURES VENGEANCE will release the two-song 7-inch “Lyrids: Warning From The Reign Of The Untold” on September 14 via Gates Of Hell Records.

PRE-ORDER: http://tinyurl.com/ybuff633

 The perfect setup for their first full-length album (due in 2019), “Lyrids” features a pair of leftover songs from the band’s 2016 “Where The Time Dwelt In” EP: “Empire Of The Crimson Fields” and “Iron Cave”. Both songs find VULTURES VENGEANCE (who feature guitarist/vocalist Tony T. Steele, new lead guitarist Tony L.A., bassist Matt Savage and drummer Kosathral Khel) digging deep into their NWOBHM roots as well as power metal and thrash, aided by a warm, but raw production job.

Inspired by the “cave myth” from the ancient Greek philosopher Plato, “Into The Cave” takes on fantasy-based heavy metal in the style of OMEN, STEEL ASSASSIN and LIEGE LORD. “Empire Of The Crimson Fields”, on the other hand, features a two-part narrative that tells the story of a noble family awaiting of the birth of the new king. The family eventually conquers an empire, but starts savaging the natives, which is where the story shifts to a commoner who has watched his son killed and his land destroyed. The pain and prayers from this man are eventually heard, placing a curse upon the kingdom. Their points of view converge at the song’s conclusion where both fall into the face of death, neither receiving clarity.

Since their 2015 formation, VULTURES VENGEANCE has become a favorite among European critics and fans, with influential German metal magazine Deaf Forever giving the band’s debut “Rising” demo a glowing review. From there, “Where The Time Dwelt In” only served to further their reputation as a new classic metal band to watch. It is with little doubt “Lyrids: Warning From The Reign Of The Untold” will hold the VULTURES VENGEANCE fanbase over until their first full LP finally arrives next year.

“Lyrids: Warning From The Reign Of The Untold” track listing:

  1. Empire Of Crimson Fields
  2. Into The Cave

VULTURES VENGEANCE announces Fall 2108 European shows!

Having set the release-date of their new 7” “Lyrids: Warning From the Reing of the Untold” on September 14, VULTURES VENGEANCE will perform live in Germany, Sweden, Belgium and Romania in order to support the release.
Be there!

28/09 – DE,  Marburg,  Szenario
29/09 – BE, No Compromise Festival
30/09 – DE, Hamburg, Bambi Galore
01/10 – DE, Berlin, Zukunft Am Ostkreuz
02/10 – SE, Göteborg, The Abyss
03/10 – SE, Stockholm, Brother Tuck
05/10 – DE, Leipzig, Connewitz
13/10 – RO, Old Grave Fest

ROAD WARRIOR To Release ‘Power’ In October: ‘It is a Statement of our Intent’

Australian true metal brigade ROAD WARRIOR will release their debut full-length album, “Power”, on October 12 via Gates Of Hell Records. Featuring eight tracks of “diverse, fist-clenching, manly and classic metal,” “Power” was recorded at Against The Grain Studios in Adelaide, South Australia with Andy Kite at the helm.

Comments bassist/vocalist Denimal Blake: “It is a statement of our intent: To inject ‘Power’ back into a heavy metal scene that has been somewhat bereft of it. Whether if it truly is an objective case or not, that is our summary and the crux of the band. When heavy metal first gained a foothold it was the personification of musical power, a very special time that is finally coming back to strength, regardless of trends, due to its dominance.”

ROAD WARRIOR (who are rounded out by guitarist Overdryve and drummer Villon) are said to have recorded “Power” with “gusto, the gnashing teeth and thrusting of loins,” meaning, the album’s cuts are leaning heavily on the band’s ’80s influences as well as the proto-metal scene from the latter part of the ’70s. Says Blake: “Our influences are in a blender this time, laced with the flavor of ROAD WARRIOR, METAL CHURCH, BLACKKOUT, early IRON MAIDEN, SAVATAGE, JUDAS PRIEST, LOUDNESS, RIOT, TWISTED SISTER and HEXX.”

Accordingly, Blake says the album’s lyrical themes are quite varied: “Sex, sex and more sex, along with a bit of historical conspiracy, power, pre-diluvial civilization and hotter sex.” Tongue-and-cheek aside, Blake and his ROAD WARRIOR bandmates remain steadfast in their conviction to true heavy metal.

“We have an acute awareness of the NWOTHM [NEW WAVE OF TRADITIONAL HEAVY METAL] and know that we stand out in many ways, whether it’s due to influence, locality or pedigree. Either way, I cannot speak for the ears of others, but we are supremely confident the album will live up to the album cover and title and help usher in a new age of classic rock and metal as the trends dissolve.”

“Power” track listing:

  1. Don’t Fight Fate
  2. On Iron Wing
  3. Devils In Waiting
  4. I Am The Hunger
  5. Tease n’ Torture
  6. Sweating Out The Poison
  7. Back Alley Tokyo Woman
  8. The Future Is Passed

Preorder for CHEVALIER’s “Chapitre II” MLP with exclusive bonus track starts now.

Vinyl release of Chevalier’s sold-out 2018 Chapitre II EP will be out on 12” MLP on September 21, concurrently with CHEVALIER’s show at HARDER THAN STEEL festival with Omen, Oliver Dawson Saxon, Ashbury, Cauldron and more.

Chapitre II,  was specially re-mastered for this vinyl release and features an exclusive BROCAS HELM cover version of “Fly High”.
MLP is limited to 500 green vinyl copies and includes one A4 insert. Layout by Annick Giroux.

PRE-ORDER HERE!

Too often, hitting the “rewind” button on speed or thrash metal reveals bands more interested in rehashing past glories than offering something new. The speed/thrash explosion of the mid-’00s displayed that if anything, it’s far too easy to slap on a jean jacket, queue up Bonded by Blood, form a band, “borrow” some riffs and release subpar, uninspired material. Which brings us to Helsinki, Finland for an introduction to Chevalier, one of the most fiery and unique bands to hit the speed metal pavement in recent memory.

Formed a mere two years ago, Chevalier (who consist of vocalist Emma Grönqvist, the guitar tandem of Tommi and Mikko, bassist Sebastian Bergman and drummer Joel), immediately got to work in their rehearsal room, whereupon they recorded their A Call to Arms debut EP. While their recent split with Legionnaire recorded in a traditional studio, the band opted to return to the comfortable environs of their rehearsal room for the tracking of Chaptire II. Sure enough, it has given Chevalier a throttling, reverb-soaked sound that catapults speak not only to the band’s speedy roots, but the labyrinthine song constructions similar to NWOBHM upstarts Hell and Mercyful Fate.

Chapitre II is the band’s most diverse release to date, as evidenced by the expanded song lengths and oftentimes adventurous song layouts. Grönqvist, in her banshee-wailing, scream-queen glory, turns in a riveting performance, holding steady against relentless thrash beats and triumphant gallops. The songs themselves tackle a wealth of topics: “The Messenger” is about the rush to deliver a crucial message to one’s kingdom before paranoia kicks in; “Wrath of Steel” details a warrior’s thoughts on a bloody battlefield, and “The Curse of the Dead Star” is about impending doom from outer space.

The combination of fantasy and science fiction lyrics along with urgent, challenging, melody-laden speed metal instantly sets Chevalier apart from the pack, where every song is more than just a simple headbang-a-thon — they are journeys onto themselves.

Chapitre II track listing:

  1. The Messenger
  2. Wrath of Steel
  3. The Curse of the Dead Star
  4. Fly High (Brocas Helm cover)

VULTURES VENGEANCE: new 7” and shirt, preorder starts now.

2-track 7” “Lyrids: Warning from the Reign of the Untold” features 2 previously unreleased songs only available on this release.

The “Temple of Time” t-shirt features an exclusive design by Dan Capp! 
4-color print on black, heavy cotton Fruit Of The Loom t-shirt.

Both products will be available by Sept 3st.

You can preorder the 7” and shirt separately. Or as a bundle and save € 2,00.

PRE-ORDER HERE!

The legend of Vultures Vengeance began in 2015 when the Italian epic metallers released their Rising demo tape. Limited to only 150 copies, Rising quickly sold out when influential German metal magazine Deaf Forever gave the demo a glowing review. Word of mouth on Vultures Vengeance (who feature guitarist/vocalist Tony T. Steele, new lead guitarist Tony L.A., bassist Matt Savage and drummer Kosathral Khel) traveled fast, leading all the way up to Gates of Hell Records, who signed the band in 2016 for the release of their Where the Time Dwelt In EP. Like Rising, Where the Time Dwelt In earned Vultures Vengeance significant praise in European metal circles. Since then, the band has worked in new lead guitarist Tony L.A., and has been ensconced in a recording studio working on their first full-length album, which is set for release sometime in 2019. In the meantime, the band is treating fans to two leftover songs from the Where the Time Dwelt In EP on the Lyrids: Warning from the Reign of the Untold 7-inch.

The songs — “Empire of the Crimson Fields” and “Into the Cave” — were recorded during a separate studio session from Where the Time Dwelt In, but follow in the sonic path of the cuts from the EP. “Into the Cave” is inspired by the “cave myth” from Plato, while “Empires of the Crimson Fields” features a two-part narrative that tells the story of a noble family awaiting of the birth of the new king. The family eventually conquers an empire, but starts savaging the natives, which is where the story shifts to a commoner who has watched his son killed and his land destroyed. The pain and prayers from this man are eventually heard, placing a curse upon the kingdom. Their points of view converge at the song’s conclusion where both fall into the face of death, neither receiving clarity.

The two songs are climatic bodies of work, drawing from a wide range of influences from classic NWOBHM, thrash and power metal, crystallized with a warm, but raw production job, capturing the feeling and aura of Vultures Vengeance’s decade of choice, the 1980s. It is here where Vultures Vengeance is able to successfully toe the line between nostalgia and their own take of vintage, fantasy-based heavy metal. Fans of Omen, Steel Assassin and Liege Lord will no doubt feel at home.

Lyrids: Warning from the Reign of the Untold track listing:

  1. Empire of the Crimson Fields
  2. Into the Cave