Tag Archives: heavy metal

BOOZE CONTROL To Release GATES OF HELL RECORDS Debut “Forgotten Lands” In February

German metallers BOOZE CONTROL have set a February 22 release date for their fourth full-length album and first for Gates Of Hell Records, “Forgotten Lands”. The album was recorded in October 2017 at Overlodge Recording Studio in Harz Mountains, Germany, with Martin Schnella handling engineering duties.

“Forgotten Lands” is the embodiment of a band now in full songwriting stride. BOOZE CONTROL’s engaging blend of NWOBHM-inspired classic metal shines through on the album’s ten cuts. “The two previous albums really helped us find and define our style as a band,” says vocalist/guitarist David Kuri. “We feel that we got it now, so ‘Forgotten Lands’ is less of a search and more of an arrival. This doesn’t mean that it’s boring now — on the contrary, it allowed us to be more confident when deliberately diverging from that style, so there is quite some experimenting going on on top of the solid heavy metal foundation we defined for ourselves.”

Kuri says BOOZE CONTROL (who are rounded out by second guitarist Jendrik Seiler, bassist Steffen Kurth and drummer Lauritz “The Lord” Jilge) often come up with songs during rehearsal where they swap riffs and ideas. Some of the songs on “Forgotten Lands” stem back to the band’s 2013 “Heavy Metal” and 2016 “The Lizard Rider” albums, but always go through the same process with Kuri and fellow guitarist Jendrik Seiler adding finishing touches. One element on “Forgotten Lands” is sure to stand out: BOOZE CONTROL has adopted a much more serious lyrical tone than their previous efforts.

‘Forgotten Lands’ mostly tells fictional stories inspired by books, movies, television, video games or scientific findings,” says Kuri. “The title song — a first for us — and ‘Slaying Mantis’ specifically give some context to the album artwork. ‘Playing With Fire’ is the only more ‘worldly’ song, in the sense that it is inspired by recent geopolitical events, though I wouldn’t call the song itself political and BOOZE CONTROL definitely isn’t. There are also a lot of small cross-references between the songs, some of which actually have a meaning while others just send you on a fun journey of interpreting the songs in a broader context.

“Thematically, we also work with the topics of discovery and arrival in the lyrics. The title song is about discovering the new, even after you have already made some headway. Songs like ‘Spellbound’ and ‘Slaying Mantis’ expand on that and hopefully convey that we are still trying to find new approaches to both music and life, while building on what we have already found.”

The “Forgotten Lands” cover art was created by Dimitar Nikolov (Keep It True, ROSS THE BOSS, STEELWING, SACRAL RAGE). Nikolov was asked to create the “Forgotten Lands” album cover due to the overwhelming response to the band’s previous two album covers, which he was also responsible for.

Dimitar is a great help in shaping the current identity of the band,” says Kuri. “I think the idea of depicting the confrontation with the giant Praying Mantis was there first, and then quickly sparked the idea of the album title. The title track wasn’t planned, but just so happened, and turned out to be a great opener. The artwork shows the same fighting woman as the last two albums, with two novelties: First, she’s going in close this time, not relying on ranged combat. Second, you can see her face for the first time. Both of these facts are highly metaphorical for the way that BOOZE CONTROL has developed.”

Next year, BOOZE CONTROL will celebrate ten years a band. Remarkably, they’ve been able to keep the same lineup, all the while, building a steady following across mainland Europe. “Forgotten Lands” may represent a new conceptual frontier for the band, but the same unbending, memorable metal is still in place, a lot of which has been forged through hard work the last ten years.

“There is a ton of things we have learned along the way,” finishes Kuri. “I think the most important one for me would be to talk to people as much as you can: other bands, promoters, bookers, and of course, your fans. Sharing experience and stories is not only great fun, but the best chance to grow you can get.”

VULTURES VENGEANCE: new 7” and shirt, preorder starts now.

2-track 7” “Lyrids: Warning from the Reign of the Untold” features 2 previously unreleased songs only available on this release.

The “Temple of Time” t-shirt features an exclusive design by Dan Capp! 
4-color print on black, heavy cotton Fruit Of The Loom t-shirt.

Both products will be available by Sept 3st.

You can preorder the 7” and shirt separately. Or as a bundle and save € 2,00.

PRE-ORDER HERE!

The legend of Vultures Vengeance began in 2015 when the Italian epic metallers released their Rising demo tape. Limited to only 150 copies, Rising quickly sold out when influential German metal magazine Deaf Forever gave the demo a glowing review. Word of mouth on Vultures Vengeance (who feature guitarist/vocalist Tony T. Steele, new lead guitarist Tony L.A., bassist Matt Savage and drummer Kosathral Khel) traveled fast, leading all the way up to Gates of Hell Records, who signed the band in 2016 for the release of their Where the Time Dwelt In EP. Like Rising, Where the Time Dwelt In earned Vultures Vengeance significant praise in European metal circles. Since then, the band has worked in new lead guitarist Tony L.A., and has been ensconced in a recording studio working on their first full-length album, which is set for release sometime in 2019. In the meantime, the band is treating fans to two leftover songs from the Where the Time Dwelt In EP on the Lyrids: Warning from the Reign of the Untold 7-inch.

The songs — “Empire of the Crimson Fields” and “Into the Cave” — were recorded during a separate studio session from Where the Time Dwelt In, but follow in the sonic path of the cuts from the EP. “Into the Cave” is inspired by the “cave myth” from Plato, while “Empires of the Crimson Fields” features a two-part narrative that tells the story of a noble family awaiting of the birth of the new king. The family eventually conquers an empire, but starts savaging the natives, which is where the story shifts to a commoner who has watched his son killed and his land destroyed. The pain and prayers from this man are eventually heard, placing a curse upon the kingdom. Their points of view converge at the song’s conclusion where both fall into the face of death, neither receiving clarity.

The two songs are climatic bodies of work, drawing from a wide range of influences from classic NWOBHM, thrash and power metal, crystallized with a warm, but raw production job, capturing the feeling and aura of Vultures Vengeance’s decade of choice, the 1980s. It is here where Vultures Vengeance is able to successfully toe the line between nostalgia and their own take of vintage, fantasy-based heavy metal. Fans of Omen, Steel Assassin and Liege Lord will no doubt feel at home.

Lyrids: Warning from the Reign of the Untold track listing:

  1. Empire of the Crimson Fields
  2. Into the Cave

ROAD WARRIOR In Studio To Record ‘Fist-Clenching And Manly Classic Metal’ Debut Album ‘Power’

Australian true metal brigade Road Warrior has entered in January Against The Grain Studio in Thebarton, South Australia to record their debut album, “Power”.
The effort will be released by Italy’s Gates Of Hell Records in 2018.

Comments vocalist/bassist Denimal Blake: “In between alcoholic drinking ‘takes,’ we aim to lay down eight trend-rending tracks of diverse, fist clenching, manly and classic metal. Our direction is simple and somewhat complex. With so many crushing and inspiring albums to come before us (40 years of homage), we simply aspire to the same quality as those before. The complexity is inherent in the value of each song and having its place on an album that is less a bunch of tracks, than a heavy metal journey. That said, we wholly aspire to taking the smallest of steps, wherever we can, to broaden our sound in appreciable ways.”

ROAD WARRIOR, who are rounded out by guitarist Overdryve and drummer The Villain, spent the time leading up to the recording of “Power” rehearsing and developing the songs Blake had written. According to the frontman, the band’s new lineup coupled with the songs that will comprise “Power”, give ROAD WARRIOR a distinct sound.

“Our canvas is effectively an ’80s sound. We have the wantonness, power and reverb, but also, we have some ’70s heavy metal tonalities peppered in our songs. The proto-metal of the late ’70s and early ’80s are some of the greatest in terms of exploration, as heaviness had nary a definition. Every band was seeking something similar, but taking different paths. Nowadays we have the extreme metal (black, death, thrash) template well ingrained, but many assume you need to take steps backwards in order to create classic metal. This is wrong.”

After the release of “Power”, ROAD WARRIOR will be hitting the live circuit, including festivals. However, with the creative juices still flowing, ROAD WARRIOR plan on working on a new batch of songs sooner rather than later.

“The moment we finish recording ‘Power’, we get straight into the second album,” says Blake. “Unless something steers our path elsewhere, I would see only 12-18 months between any album, until my writing well runs dry and I have to call Gene Simmons for riffs.”

Related links:
https://www.facebook.com/RoadWarrior1986

CHEVALIER/LEGIONNAIRE SPLIT AVAILABLE FOR PREORDER

 

Chevalier and Legionnaire split 7” is an unique mix of ancient epic metal and speed metal, featuring raw and melodic medieval tunes played hell for leather, powerful vocals, epic twin guitars, and an analogue recording that will raise the dead.

One unreleased song for each band.

CHEVALIER: The Greed of The Cross
LEGIONNAIRE: Born Of Ash And Blood

Limited to 500 copies. Out on Feb 23rd.

Preorder starts now.

For fans of Brocas Helm, Judas Priest, Slough Feg, Mercyful Fate, ADX, Iron Maiden and old school Heavy Metal.